[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522412709995{padding-top: 62px !important;}\u00a0\u00bb][vc_column][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 20% 0 20%\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0 10% 0 10%\u00a0\u00bb item_padding_480=\u00a0\u00bb0 0% 0 0%\u00a0\u00bb][vc_column_text][\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]<\/p>\n
(Wigmore Hall, Th\u00e9\u00e2tre du Ch\u00e2telet, Festival Chopin, Invalides, Palais Nostitz, Fundaci\u00f3n March, Festival International de Torroella de Montgr\u00ed etc.) y Am\u00e9rica Latina.<\/span><\/p>\n <\/p>\n Junto al repertorio de finales del siglo XIX y principios del XX, predominante en su carrera, Ester mantiene un comprometido v\u00ednculo con la m\u00fasica espa\u00f1ola que difunde y promueve intensamente. Sus primeros CD para el sello discogr\u00e1fico <\/span>Mandala<\/span><\/em> (distr. Harmonia Mundi) son testimonio de esta labor y han sido todos elogiosamente acogidos por la prensa especializada. Apasionada por la m\u00fasica de c\u00e1mara, ha grabado con las violinistas francesas Clara Bonaldi y Ariane Granjon la integral para a viol\u00edn y piano de Joaqu\u00edn Turina y el reciente \u00e1lbum <\/span>R\u00e9sonances<\/span><\/em> dedicado a Narc\u00eds Bonet y Federico Mompou.<\/span><\/p>\n <\/p>\n Su compromiso con la pedagog\u00eda (es profesora en el Conservatoire Jean-Philippe Rameau de Paris y tutora en el Conservatorio Nacional Superior de M\u00fasica de Paris) la ha conducido al mundo de la investigaci\u00f3n especializ\u00e1ndose en neuropsicolog\u00eda de la m\u00fasica. Doctora (PhD) en musicolog\u00eda sistem\u00e1tica, sus temas de investigaci\u00f3n como asociada a los laboratorios IReMus<\/em> (Sorbonne Universit\u00e9) y CREAA<\/em> (Universidad de Estrasburgo) exploran los procesos cognitivos vinculados a la audici\u00f3n interior en el marco del aprenendizage y de la interpretaci\u00f3n. Junto a diversos articulos cient\u00edficos, ha publicado los libros <\/span>Le corps musicien : vers une p\u00e9dagogie sensorielle de l\u2019interpr\u00e9tation pianistique<\/em> <\/span>(\u00c9d. Delatour, 2019) y <\/span>Musique et Transmission \u00e0 la lumi\u00e8re des sciences cognitives<\/em> <\/span>(\u00c9d. 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