{"id":15812,"date":"2020-06-04T19:35:04","date_gmt":"2020-06-04T17:35:04","guid":{"rendered":"https:\/\/www.esterpineda.com\/?page_id=15812"},"modified":"2025-10-07T22:13:18","modified_gmt":"2025-10-07T20:13:18","slug":"recherche","status":"publish","type":"page","link":"https:\/\/www.esterpineda.com\/index.php\/recherche\/?lang=en","title":{"rendered":"Research"},"content":{"rendered":"

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Following a PhD in systematic musicology at Sorbonne Univerit\u00e9 and Universit\u00e9 de Caen-Normandie, the core of my work is the integration of theoretical, empirical and practical research, whiwh is stongly intertwined mith my experience as performer and teacher.<\/p>\n

Member of the scientific council of the Centre Europ\u00e9en de Musique (CEM), Ester Pineda is a research associate at the IReMus<\/em> (Sorbonne University) and CREAA (University of Strasbourg) laboratories.[\/vc_column_text][vc_empty_space height=\u00a0\u00bb50px\u00a0\u00bb][vc_column_text]<\/p>\n

<\/h3>\n

<\/h2>\n

AFFILIATIONS<\/h2>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb50px\u00a0\u00bb]Musicology -IReMus<\/a>[vc_empty_space height=\u00a0\u00bb50px\u00a0\u00bb]CENTRE DE RECHERCHE SUR l'ACTE ARTSSTIQUE (CREAA)<\/a>[\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522401067617{padding-top: 150px !important;padding-bottom: 155px !important;background-image: url(https:\/\/bridge206.qodeinteractive.com\/wp-content\/uploads\/2018\/03\/background-h1.jpg?id=51) !important;}\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column offset=\u00a0\u00bbvc_col-lg-offset-0 vc_col-lg-6 vc_col-md-offset-0 vc_col-md-12 vc_col-sm-offset-0 vc_col-xs-12″][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item vertical_alignment=\u00a0\u00bbmiddle\u00a0\u00bb horizontal_alignment=\u00a0\u00bbcenter\u00a0\u00bb advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb38px 0 0 158px\u00a0\u00bb item_padding_1024_1280=\u00a0\u00bb15px 0 0 148px\u00a0\u00bb item_padding_768_1024=\u00a0\u00bb0px 133px 100px 133px\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0px 33px 100px 33px\u00a0\u00bb item_padding_480_600=\u00a0\u00bb38px 0 70px 0px\u00a0\u00bb item_padding_480=\u00a0\u00bb38px 0 70px 0px\u00a0\u00bb][vc_column_text el_id=\u00a0\u00bbAcheter le livre\u00a0\u00bb]<\/p>\n

PUBLICATIONS<\/h2>\n

Le Corps Musicien: vers une m\u00e9thode sensorielle de l’interpr\u00e9tation pianistique<\/em><\/h3>\n

(Editions Delatour France, 2019)
\n<\/em><\/h4>\n

[\/vc_column_text][vc_column_text]Specialized in musical neuropsychology, Ester Pineda deepens the impact of musical practice on brain activity. This tripartite work highlights the role of the body in learning music thanks to discoveries made by cognitive sciences. The author succeeds in establishing a \u00ab\u00a0correlation between body awareness and the game itself\u00a0\u00bb, and leads to a redefinition of the relationship to the musical work, transmission (cf. descriptive diagram of musical transmission, p. 116) and teaching. One more step towards an informed introspection of the \u00ab\u00a0musical body\u00a0\u00bb.<\/em><\/p>\n

\u00a0<\/em><\/p>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb25px\u00a0\u00bb][vc_column_text]\u00c9dith Weber<\/strong>\u00a9 L’\u00c9DUCATION MUSICALE 2019[\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][vc_column offset=\u00a0\u00bbvc_col-lg-offset-0 vc_col-lg-6 vc_col-md-offset-0 vc_col-md-12 vc_col-xs-12″][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item vertical_alignment=\u00a0\u00bbmiddle\u00a0\u00bb horizontal_alignment=\u00a0\u00bbcenter\u00a0\u00bb advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 30% 0 4%\u00a0\u00bb item_padding_768_1024=\u00a0\u00bb0 12% 0 4%\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0 8% 0 0%\u00a0\u00bb item_padding_480_600=\u00a0\u00bb0 5% 0 0%\u00a0\u00bb item_padding_480=\u00a0\u00bb0 5% 0 0%\u00a0\u00bb]BOOK-SIGNING at PHILHARMONIE DE PARIS<\/a>[vc_empty_space height=\u00a0\u00bb50px\u00a0\u00bb][vc_single_image image=\u00a0\u00bb245″ img_size=\u00a0\u00bbfull\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][qode_elements_holder background_color=\u00a0\u00bb#383838″ number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 4% 0px 7%\u00a0\u00bb]

\n\t\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/span>\n\t\t\t<\/span>\n\t\t\t<\/a>\n<\/div>[\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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