[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522412709995{padding-top: 62px !important;}\u00a0\u00bb][vc_column][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 20% 0 20%\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0 10% 0 10%\u00a0\u00bb item_padding_480=\u00a0\u00bb0 0% 0 0%\u00a0\u00bb][vc_column_text][\/vc_column_text][vc_empty_space height=\u00a0\u00bb40px\u00a0\u00bb][vc_column_text]<\/p>\n
(…) Festival d\u2019Annecy, Festival de Torroella de Montgri…) and Latin America.<\/span><\/p>\n <\/p>\n \u00a0Even if <\/span>the repertoire of the late 19th and early 20th centuries has a dominant place in her career, she remains extremely attached to Spanish music, which she defends with great enthusiasm. Her recordings for Mandala (Harmonia Mundi) and Vde-Gallo pay tribute to this commitment and have received critical acclaim. <\/span>A passionate chamber musician, Ester Pineda has recorded Joaqu\u00edn Turina’s complete works for violin and piano with violinists Clara Bonaldi and Ariane Granjon, as well as the album R\u00e9sonances<\/em>, dedicated to Narc\u00eds Bonet and Frederic Mompou (Vde-Gallo 2022).<\/span><\/p>\n <\/p>\n Her commitment to pedagogy (she is a piano teacher at the conservatoire Jean-Philippe in Paris and a teaching tutor at the Conservatoire Superieur de Musique de Paris, CNSMDP) led her to become involved in research into the neuropsychology of music. PhD in systematic musicology, her research focuses on cognitive processes linked to inner audition in the context of learning and performance. In addition to several scientific articles, she is also the author of <\/span>Le corps musicien : vers une p\u00e9dagogie sensorielle de l’interpr\u00e9tation pianistique<\/span><\/em> (\u00c9d. Delatour) and <\/span>Musique et Transmission \u00e0 la lumi\u00e8re des sciences cognitives <\/span><\/em>(\u00c9d. EAC, 2025).<\/span><\/p>\n [\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522412971039{padding-top: 85px !important;}\u00a0\u00bb][vc_column][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item vertical_alignment=\u00a0\u00bbmiddle\u00a0\u00bb horizontal_alignment=\u00a0\u00bbcenter\u00a0\u00bb advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 0px 0 44%\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0 0px 0 38%\u00a0\u00bb item_padding_480_600=\u00a0\u00bb0 0px 0 38%\u00a0\u00bb item_padding_480=\u00a0\u00bb0 0px 0 26%\u00a0\u00bb background_color=\u00a0\u00bb#000000″][vc_single_image image=\u00a0\u00bb15466″ img_size=\u00a0\u00bbfull\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522412709995{padding-top: 62px !important;}\u00a0\u00bb][vc_column][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 20% 0 20%\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0 10% 0 10%\u00a0\u00bb item_padding_480=\u00a0\u00bb0 0% 0 0%\u00a0\u00bb][vc_column_text][\/vc_column_text][vc_empty_space height=\u00a0\u00bb40px\u00a0\u00bb][vc_column_text] (…) Festival d\u2019Annecy, Festival de Torroella de Montgri…) and Latin America. \u00a0Even if the repertoire of the…<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/pages\/16216"}],"collection":[{"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/comments?post=16216"}],"version-history":[{"count":6,"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/pages\/16216\/revisions"}],"predecessor-version":[{"id":17972,"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/pages\/16216\/revisions\/17972"}],"wp:attachment":[{"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/media?parent=16216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}