{"id":16217,"date":"2025-08-01T09:28:18","date_gmt":"2025-08-01T07:28:18","guid":{"rendered":"https:\/\/www.esterpineda.com\/?page_id=16217"},"modified":"2025-09-25T10:09:25","modified_gmt":"2025-09-25T08:09:25","slug":"biographie-2","status":"publish","type":"page","link":"https:\/\/www.esterpineda.com\/index.php\/biographie-2\/","title":{"rendered":"BIOGRAPHIE (suite)"},"content":{"rendered":"<p>[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522412709995{padding-top: 62px !important;}\u00a0\u00bb][vc_column][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 20% 0 20%\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0 10% 0 10%\u00a0\u00bb item_padding_480=\u00a0\u00bb0 0% 0 0%\u00a0\u00bb][vc_column_text][\/vc_column_text][vc_empty_space height=\u00a0\u00bb40px\u00a0\u00bb][vc_column_text]<\/p>\n<p style=\"text-align: center;\">(&#8230;) en Grande Bretagne (Wigmore Hall) et en Am\u00e9rique Latine.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">Si le r\u00e9pertoire de la fin du 19\u00e8me et du d\u00e9but du 20\u00e8me si\u00e8cle tient une place dominante dans sa carri\u00e8re, elle conserve son attachement \u00e0 la musique espagnole, qu&rsquo;elle d\u00e9fend avec ardeur. Ses quatre premiers CD chez Mandala (distr. Harmonia Mundi) t\u00e9moignent de cet engagement et ont tous attir\u00e9 les \u00e9loges de la presse sp\u00e9cialis\u00e9e. En tant que chambriste, elle a collabor\u00e9 avec les violonistes Clara Bonaldi et Ariane Granjon avec l&rsquo;enregistrement de l&rsquo;int\u00e9grale de Joaqu\u00edn Turina et l&rsquo;album R\u00e9sonances (2022) consacr\u00e9 \u00e0 Narc\u00eds Bonet et Frederic Mompou.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">Son engagement dans la p\u00e9dagogie (professeure de piano au Conservatoire Jean-Philippe Rameau de Paris et tutrice en p\u00e9dagogie au CNSMDP) l\u2019a conduite \u00e0 s\u2019investir dans la recherche en neuropsychologie de la musique. Docteure en musicologie syst\u00e9matique, ses travaux portent sur l\u2019exploration des processus cognitifs li\u00e9s \u00e0 l\u2019audition int\u00e9rieure dans le cadre de l\u2019apprentissage et de l\u2019interpr\u00e9tation. En plus de plusieurs articles scientifiques, elle est aussi auteure des ouvrages <\/span><em><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">Le corps musicien : vers une p\u00e9dagogie sensorielle de l\u2019interpr\u00e9tation pianistique<\/span><\/em><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"> (Ed. Delatour) et <\/span><em><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">Musique et Transmission \u00e0 la lumi\u00e8re des sciences cognitives<\/span><\/em><span class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"> (\u00c9d. EAC, 2025).<\/span><\/p>\n<p>[\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522412971039{padding-top: 85px !important;}\u00a0\u00bb][vc_column][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item vertical_alignment=\u00a0\u00bbmiddle\u00a0\u00bb horizontal_alignment=\u00a0\u00bbcenter\u00a0\u00bb advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 0px 0 44%\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0 0px 0 38%\u00a0\u00bb item_padding_480_600=\u00a0\u00bb0 0px 0 38%\u00a0\u00bb item_padding_480=\u00a0\u00bb0 0px 0 26%\u00a0\u00bb background_color=\u00a0\u00bb#000000&Prime;][vc_single_image image=\u00a0\u00bb15466&Prime; img_size=\u00a0\u00bbfull\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522412709995{padding-top: 62px !important;}\u00a0\u00bb][vc_column][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 20% 0 20%\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0 10% 0 10%\u00a0\u00bb item_padding_480=\u00a0\u00bb0 0% 0 0%\u00a0\u00bb][vc_column_text][\/vc_column_text][vc_empty_space height=\u00a0\u00bb40px\u00a0\u00bb][vc_column_text] (&#8230;) en Grande Bretagne (Wigmore Hall) et en Am\u00e9rique Latine. &nbsp; Si le r\u00e9pertoire de la fin du&#8230;<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/pages\/16217"}],"collection":[{"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/comments?post=16217"}],"version-history":[{"count":6,"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/pages\/16217\/revisions"}],"predecessor-version":[{"id":17675,"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/pages\/16217\/revisions\/17675"}],"wp:attachment":[{"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/media?parent=16217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}