{"id":16526,"date":"2020-06-04T19:32:24","date_gmt":"2020-06-04T17:32:24","guid":{"rendered":"https:\/\/www.esterpineda.com\/index.php\/presse\/"},"modified":"2021-01-28T17:23:43","modified_gmt":"2021-01-28T16:23:43","slug":"presse","status":"publish","type":"page","link":"https:\/\/www.esterpineda.com\/index.php\/presse\/?lang=es","title":{"rendered":"Prensa"},"content":{"rendered":"

[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522332962243{padding-top: 73px !important;padding-bottom: 100px !important;}\u00a0\u00bb][vc_column offset=\u00a0\u00bbvc_col-lg-offset-0 vc_col-lg-5 vc_col-md-offset-0 vc_col-md-5 vc_col-sm-offset-0 vc_col-xs-12″][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 0% 0px 43%\u00a0\u00bb item_padding_768_1024=\u00a0\u00bb0 0% 0px 25%\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0 0% 60px 0%\u00a0\u00bb item_padding_480=\u00a0\u00bb0 0% 40px 0%\u00a0\u00bb][vc_single_image image=\u00a0\u00bb15415″ img_size=\u00a0\u00bbfull\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1591541922973{padding-top: 20px !important;}\u00a0\u00bb][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][vc_column offset=\u00a0\u00bbvc_col-lg-offset-0 vc_col-lg-7 vc_col-md-offset-0 vc_col-md-7 vc_col-sm-offset-0 vc_col-xs-12″][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb11px 26% 0 44px\u00a0\u00bb item_padding_768_1024=\u00a0\u00bb0px 16% 0 44px\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0px 3% 0 0px\u00a0\u00bb item_padding_480=\u00a0\u00bb11px 0% 0 0px\u00a0\u00bb][vc_column_text][\/vc_column_text][vc_column_text]El gesto de la pian\u00edsta es tan elegante como el instrumento y las melod\u00edas qui emanan de \u00e9l. La magia del piano que canta bajo los gestos precisos y cultivados de Ester Pineda embrujan un p\u00fablico que se resiste a salir de su estado de ensue\u00f1o. \u00bbLa m\u00fasica empieza donde acaba el poder de las palabras\u00bb dec\u00eda Wagner. Ester Pineda y su pianismo parecen ser la ilustraci\u00f3n perfecta de aquella cita. Un momento de total belleza.<\/p>\n

<\/h4>\n

 <\/p>\n

Vosges Matin<\/strong><\/h4>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb37px\u00a0\u00bb][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522333247578{padding-bottom: 130px !important;}\u00a0\u00bb][vc_column offset=\u00a0\u00bbvc_col-lg-offset-0 vc_col-lg-7 vc_col-md-offset-0 vc_col-md-7 vc_col-sm-offset-0 vc_col-xs-12″][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb11px 2% 0 224px\u00a0\u00bb item_padding_768_1024=\u00a0\u00bb0px 6% 0 97px\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0px 3% 0 0px\u00a0\u00bb item_padding_480=\u00a0\u00bb0px 0% 50px 0px\u00a0\u00bb][vc_column_text][\/vc_column_text][vc_column_text](\u2026) \u201cA pesar de que, a excepci\u00f3n de Alicia de Larrocha, se ven pocos pianistas espa\u00f1oles en los escenarios internacionales, existe una buena escuela, cercana de la francesa, que ha dado grandes virtuosos, entre los cuales hoy podemos citar a Maria Luisa Cantos, Ester Pineda, Joaquin Ach\u00facarro y Josep Colom, entre otros.\u201d<\/p>\n

 <\/p>\n

Piano 10 – Numero especial de La Lettre du Musicien<\/em><\/strong><\/h4>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb37px\u00a0\u00bb][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][vc_column offset=\u00a0\u00bbvc_col-lg-offset-0 vc_col-lg-5 vc_col-md-offset-0 vc_col-md-5 vc_col-sm-offset-0 vc_col-xs-12″][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 43% 0 0%\u00a0\u00bb item_padding_768_1024=\u00a0\u00bb0 23% 0 0%\u00a0\u00bb item_padding_600_768=\u00a0\u00bb60px 0% 0 0%\u00a0\u00bb item_padding_480=\u00a0\u00bb0px 0% 0 0%\u00a0\u00bb][vc_single_image image=\u00a0\u00bb15413″ img_size=\u00a0\u00bbfull\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522333005929{padding-bottom: 100px !important;}\u00a0\u00bb][vc_column offset=\u00a0\u00bbvc_col-lg-offset-0 vc_col-lg-5 vc_col-md-offset-0 vc_col-md-5 vc_col-sm-offset-0 vc_col-xs-12″][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 0% 0 43%\u00a0\u00bb item_padding_768_1024=\u00a0\u00bb0 0% 0px 25%\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0 0% 60px 0%\u00a0\u00bb item_padding_480=\u00a0\u00bb0px 0% 0 0%\u00a0\u00bb][vc_single_image image=\u00a0\u00bb15417″ img_size=\u00a0\u00bbfull\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][vc_column offset=\u00a0\u00bbvc_col-lg-offset-0 vc_col-lg-7 vc_col-md-offset-0 vc_col-md-7 vc_col-sm-offset-0 vc_col-xs-12″][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb11px 26% 0 44px\u00a0\u00bb item_padding_768_1024=\u00a0\u00bb0px 16% 0 44px\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0px 3% 0 0px\u00a0\u00bb item_padding_480=\u00a0\u00bb50px 0% 0 0px\u00a0\u00bb][vc_column_text](\u2026) \u201cTiene car\u00e1cter y sensibilidad. Y un sonido untuoso propio de los grandes pianistas. Las \u201cNoches en los Jardines de Espa\u00f1a\u201d que cant\u00f3 de Falla, no se equiparaban aquella velada, a la noche en los bellos jardines Ephrussi de Rotschild, enriquecida por los sonidos del piano de Ester.\u201d<\/p>\n

 <\/p>\n

Andr\u00e9 Pereygne – Nice Matin<\/strong><\/h4>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb37px\u00a0\u00bb][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522333005929{padding-bottom: 100px !important;}\u00a0\u00bb][vc_column offset=\u00a0\u00bbvc_col-lg-offset-0 vc_col-lg-5 vc_col-md-offset-0 vc_col-md-5 vc_col-sm-offset-0 vc_col-xs-12″][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 0% 0 43%\u00a0\u00bb item_padding_768_1024=\u00a0\u00bb0 0% 0px 25%\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0 0% 60px 0%\u00a0\u00bb item_padding_480=\u00a0\u00bb0px 0% 0 0%\u00a0\u00bb][vc_single_image image=\u00a0\u00bb15905″ img_size=\u00a0\u00bbfull\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][vc_column offset=\u00a0\u00bbvc_col-lg-offset-0 vc_col-lg-7 vc_col-md-offset-0 vc_col-md-7 vc_col-sm-offset-0 vc_col-xs-12″][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb11px 26% 0 44px\u00a0\u00bb item_padding_768_1024=\u00a0\u00bb0px 16% 0 44px\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0px 3% 0 0px\u00a0\u00bb item_padding_480=\u00a0\u00bb50px 0% 0 0px\u00a0\u00bb][vc_column_text](\u2026) \u201cTurina es un m\u00fasico que deber\u00eda ser m\u00e1s conocido: la proximidad de Alb\u00e9niz y de Falla le ha injustamente relegado a un segundo plano. La grabaci\u00f3n de Clara Bonaldi y Ester Pineda repara esa injusticia. Las obras son atractivas y la interpretaci\u00f3n, sin concesiones, corresponde al car\u00e1cter idoneo para la m\u00fasica de c\u00e1mara. El equilibrio entre los instrumentos, primordial, nos aporta, junto al placer del descubrimiento, la satisfacci\u00f3n que da el trabajo realizado por estas dos int\u00e9rpretes que no buscan el brillar por su propia cuenta, sino el servir, y bien servir, la m\u00fasica de Turina\u00a0\u00bb.<\/p>\n

<\/h4>\n

 <\/p>\n

Jean ROY – Le Monde de la Musique
\n<\/strong><\/h4>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb37px\u00a0\u00bb][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522332996034{padding-bottom: 100px !important;}\u00a0\u00bb][vc_column offset=\u00a0\u00bbvc_col-lg-offset-0 vc_col-lg-7 vc_col-md-offset-0 vc_col-md-7 vc_col-sm-offset-0 vc_col-xs-12″][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb11px 2% 0 224px\u00a0\u00bb item_padding_768_1024=\u00a0\u00bb0px 6% 0 97px\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0px 3% 0 0px\u00a0\u00bb item_padding_480=\u00a0\u00bb0px 0% 0 0px\u00a0\u00bb][vc_column_text](\u2026) \u201cDesde las primeras notas, Ester Pineda sabe ganarse un p\u00fablico conquistado por la sutileza de sus interpretaciones y su maestr\u00eda pian\u00edstica.\u201d<\/p>\n

 <\/p>\n

Jean Liscot – Le Dauphin\u00e9<\/strong><\/h4>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb37px\u00a0\u00bb][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][vc_column offset=\u00a0\u00bbvc_col-lg-offset-0 vc_col-lg-5 vc_col-md-offset-0 vc_col-md-5 vc_col-sm-offset-0 vc_col-xs-12″][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 43% 0 0%\u00a0\u00bb item_padding_768_1024=\u00a0\u00bb0px 25% 0 0px\u00a0\u00bb item_padding_600_768=\u00a0\u00bb60px 0% 0 0px\u00a0\u00bb item_padding_480=\u00a0\u00bb50px 0% 0 0%\u00a0\u00bb][vc_single_image image=\u00a0\u00bb15411″ img_size=\u00a0\u00bbfull\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][vc_column][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522332996034{padding-bottom: 100px !important;}\u00a0\u00bb][vc_column offset=\u00a0\u00bbvc_col-lg-offset-0 vc_col-lg-7 vc_col-md-offset-0 vc_col-md-7 vc_col-sm-offset-0 vc_col-xs-12″][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb11px 2% 0 224px\u00a0\u00bb item_padding_768_1024=\u00a0\u00bb0px 6% 0 97px\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0px 3% 0 0px\u00a0\u00bb item_padding_480=\u00a0\u00bb0px 0% 0 0px\u00a0\u00bb][vc_column_text](…)\u201cEster Pineda se revela como una pianista con posibilidades frente a un repertorio nada f\u00e1cil que requiere no s\u00f3lo una t\u00e9cnica suficiente sino una muy especial disposici\u00f3n an\u00edmica. As\u00ed, por ejemplo, afronta con dulzura la brevedad, la concentraci\u00f3n expresiva de las Can\u00e7ons i Danses de Frederic Mompou y no pierde el sentido constructivo en esa mirada hacia la naturaleza y mas all\u00e1, que es el lisztiano Valle de Obermann.\u201d<\/p>\n

 <\/p>\n

Julio Andrade Malde – Scherzo Magazine<\/h4>\n

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