[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522412709995{padding-top: 62px !important;}\u00a0\u00bb][vc_column][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 20% 0 20%\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0 10% 0 10%\u00a0\u00bb item_padding_480=\u00a0\u00bb0 0% 0 0%\u00a0\u00bb][vc_column_text][\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text](Wigmore Hall,\u00a0Th\u00e9\u00e2tre du Ch\u00e2telet, Festival Chopin, Invalides, Palais Nostitz, Fundaci\u00f3n March, Festival International de Torroella de Montgr\u00ed etc.) i d’Am\u00e8rica Llatina.<\/p>\n
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Si b\u00e9 el repertori de finals del segle XIX i principis del XX ocupa un lloc predominant en la seva carrera, Ester mant\u00e9 un vincle comprom\u00e8s amb la m\u00fasica catalana i espanyola, que difon i promou intensament. Els seus primers CDs amb Mandala (distr. Harmonia Mundi) en s\u00f3n testimoni i han estat tots acollits amb elogis per la premsa especialitzada. Apassionada de la m\u00fasica de cambra, ha enregistrat amb la violinistes franceses Clara Bonaldi i Ariane Granjon l\u2019integral per a viol\u00ed i piano de Joaqu\u00edn Turina i l\u2019\u00e0lbum <\/span>R\u00e9sonances<\/span><\/em> dedicat a Narc\u00eds Bonet i Frederic Mompou.<\/span><\/p>\n <\/p>\n El seu comprom\u00eds amb la pedagogia (\u00e9s profesora al Conservatoire Jean-Philippe Rameau de Paris i tutora al CNSMDP) l\u2019ha dut a emprendre el cam\u00ed de la recerca en neuropsicologia de la m\u00fasica. Titular d’un doctorat en musicologia sistem\u00e0tica, el seu treball de recerca com a investigadora associada al laboratoris IReMus<\/em> (Sorbonne Universit\u00e9) i CREAA (Universitat d\u2019Estrasburg) explora els processos cognitius lligats a l\u2019audici\u00f3 interior en el marc de l\u2019aprenentatge i de la interpretaci\u00f3. Junt a diversos articles scint\u00edfics, ha publicat els llibres <\/span>Le corps musicien : vers une p\u00e9dagogie sensorielle de l\u2019interpr\u00e9tation pianistique <\/span><\/em>(\u00c9d. Delatour, 2019) i <\/span>Musique et Transmission \u00e0 la lumi\u00e8re des sciences cognitives<\/span><\/em> (\u00c9d. EAC, 2025).<\/span><\/p>\n [\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522412971039{padding-top: 85px !important;}\u00a0\u00bb][vc_column][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item vertical_alignment=\u00a0\u00bbmiddle\u00a0\u00bb horizontal_alignment=\u00a0\u00bbcenter\u00a0\u00bb advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 0px 0 44%\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0 0px 0 38%\u00a0\u00bb item_padding_480_600=\u00a0\u00bb0 0px 0 38%\u00a0\u00bb item_padding_480=\u00a0\u00bb0 0px 0 26%\u00a0\u00bb background_color=\u00a0\u00bb#000000″][vc_single_image image=\u00a0\u00bb15466″ img_size=\u00a0\u00bbfull\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1522412709995{padding-top: 62px !important;}\u00a0\u00bb][vc_column][qode_elements_holder number_of_columns=\u00a0\u00bbone_column\u00a0\u00bb][qode_elements_holder_item advanced_animations=\u00a0\u00bbno\u00a0\u00bb item_padding=\u00a0\u00bb0 20% 0 20%\u00a0\u00bb item_padding_600_768=\u00a0\u00bb0 10% 0 10%\u00a0\u00bb item_padding_480=\u00a0\u00bb0 0% 0 0%\u00a0\u00bb][vc_column_text][\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text](Wigmore Hall,\u00a0Th\u00e9\u00e2tre du Ch\u00e2telet, Festival Chopin, Invalides, Palais Nostitz, Fundaci\u00f3n March, Festival International de Torroella de Montgr\u00ed etc.) i…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/pages\/17535"}],"collection":[{"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/comments?post=17535"}],"version-history":[{"count":10,"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/pages\/17535\/revisions"}],"predecessor-version":[{"id":17628,"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/pages\/17535\/revisions\/17628"}],"wp:attachment":[{"href":"https:\/\/www.esterpineda.com\/index.php\/wp-json\/wp\/v2\/media?parent=17535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}